hi so iv been writing html for a website and was wondering if there is anyway someone could help me im trying to get my 2 sections " early history" and " european adoption" side by side above " modern cards " any recommendations? i dont know how to position them like this any help would be greatly appreciated
<!DOCTYPE html>
<html>
<head>
<title>History</title>
<link rel="stylesheet" type="text/css" href="../CSS/styles.css">
<style>
section {
margin: 10px
}
</style>
</head>
<body>
<!-- Page Header -->
<header>
<img class="imageBannerLeft" src="../images/bannerCardsLeft.png">
<img class="imageBannerRight" src="../images/bannerCardsRight.png">
<h1>Playing Cards</h1>
</header>
<!-- Navigation Bar -->
<nav>
<ul>
<li>Home</li>
<li>History</li>
<li>Multi-player</li>
<li>Single-player</li>
<li>Free Cards</li>
</ul>
</nav>
<!-- The main content of the page -->
<main>
<section>
<h2>Early history</h2>
<p>The first playing cards are recorded as being invented in China around the 9th century AD by the Tang dynasty author Su E who writes about the card game "leaf" in the text Collection of Miscellanea at Duyang. The text describes Princess Tongchang,
daughter of Emperor Yizong of Tang, playing leaf in 868AD with members of the family of the princess' husband.</p>
<p>The mass production of Cards became possible following the invention of wooden printing block technology. Early Chinese packs contained 30 cards with no suits.</p>
<p>The first cards may have doubled as actual paper currency being both the tools of gaming and the stakes being played for. This is similar to modern trading card games. Using paper money was inconvenient and risky so they were substituted by play
money known as "money cards".</p>
<p>The earliest dated instance of a game involving cards with suits and numerals occurred on 17 July 1294.</p>
</section>
<section>
<h2>European Adoption</h2>
<p>The first four-suited playing cards appeared in Europe in 1365. They are thought to originate from traditional latin decks whose suits included: cups, coins, swords, and polo-sticks. As Polo was not yet a European game, polo sticks became batons
(or cudgels). Wide use of playing cards is recorded from 1377 onwards.</p>
<p>Professional card makers in Ulm, Nuremberg, and Augsburg created printed decks. Playing cards even competed with devotional images as the most common uses for woodcuts in this period. These 15th-century playing cards were probably painted.</p>
<p>The Flemish Hunting Deck, held by the Metropolitan Museum of Art is the oldest complete set of ordinary playing cards made in Europe.</p>
<p>Cards were adapted in Europe to contain members of the royal court and by the 15th Century French and English packs of 56 cards contain the King, Queen and Knave cards.</p>
</section>
<section>
<img class="imageCardsRight" src="../images/germanPlayingCards.jpg">
<h2>Modern Cards</h2>
<p>Contemporary playing cards are grouped into three broad categories based on the suits they use: French, Latin, and Germanic. Latin suits are used in the closely related Spanish and Italian formats. The Swiss-German suits are distinct enough to merit
their subcategory. Excluding Jokers and Tarot trumps, the French 52-card deck preserves the number of cards in the original Mamluk deck, while Latin and Germanic decks average fewer.</p>
<p>Within suits, there are regional or national variations called "standard patterns" because they are in the public domain, allowing multiple card manufacturers to copy them. Pattern differences are most easily found in the face cards but the number
of cards per deck, the use of numeric indices, or even minor shape and arrangement differences of the pips can be used to distinguish them. Some patterns have been around for hundreds of years. Jokers are not part of any pattern as they are a
relatively recent invention and lack any standardized appearance so each publisher usually puts their own trademarked illustration into their decks. </p>
</section>
</main>
<!-- Page Footer -->
<footer>
<p> © Card Foundation <br> 2017 <br> Please provide feedback to: jlongridge#jlinternet.co.uk </p>
</footer>
</body>
</html>
Add a class to the first two sections and assign these rules to it:
.myClass {
display: inline-block;
width: 50%;
}
This will put them next to each other. Of course, if there are other factors that influence their width, you have to take that into account (and, for example, reduce the width accordingly)
You're looking for something along this lines, I think:
<!DOCTYPE html>
<html>
<head>
<title>History</title>
<style>
#parent {
float: left;
}
#parent section {
width: 45%;
float: left;
margin:10px
}
</style>
</head>
<body>
<!-- Page Header -->
<header>
<img class="imageBannerLeft" src="../images/bannerCardsLeft.png">
<img class="imageBannerRight" src="../images/bannerCardsRight.png">
<h1>Playing Cards</h1>
</header>
<!-- Navigation Bar -->
<nav>
<ul>
<li>Home</li>
<li>History</li>
<li>Multi-player</li>
<li>Single-player</li>
<li>Free Cards</li>
</ul>
</nav>
<!-- The main content of the page -->
<main>
<section id="parent">
<section>
<h2>Early history</h2>
<p>The first playing cards are recorded as being invented in China around the 9th century AD by the Tang dynasty author Su E who writes about the card game "leaf" in the text Collection of Miscellanea at Duyang. The text describes Princess Tongchang,
daughter of Emperor Yizong of Tang, playing leaf in 868AD with members of the family of the princess' husband.</p>
<p>The mass production of Cards became possible following the invention of wooden printing block technology. Early Chinese packs contained 30 cards with no suits.</p>
<p>The first cards may have doubled as actual paper currency being both the tools of gaming and the stakes being played for. This is similar to modern trading card games. Using paper money was inconvenient and risky so they were substituted by
play money known as "money cards".</p>
<p>The earliest dated instance of a game involving cards with suits and numerals occurred on 17 July 1294.</p>
</section>
<section>
<h2>European Adoption</h2>
<p>The first four-suited playing cards appeared in Europe in 1365. They are thought to originate from traditional latin decks whose suits included: cups, coins, swords, and polo-sticks. As Polo was not yet a European game, polo sticks became batons
(or cudgels). Wide use of playing cards is recorded from 1377 onwards.</p>
<p>Professional card makers in Ulm, Nuremberg, and Augsburg created printed decks. Playing cards even competed with devotional images as the most common uses for woodcuts in this period. These 15th-century playing cards were probably painted.</p>
<p>The Flemish Hunting Deck, held by the Metropolitan Museum of Art is the oldest complete set of ordinary playing cards made in Europe.</p>
<p>Cards were adapted in Europe to contain members of the royal court and by the 15th Century French and English packs of 56 cards contain the King, Queen and Knave cards.</p>
</section>
</section>
<section>
<img class="imageCardsRight" src="../images/germanPlayingCards.jpg">
<h2>Modern Cards</h2>
<p>Contemporary playing cards are grouped into three broad categories based on the suits they use: French, Latin, and Germanic. Latin suits are used in the closely related Spanish and Italian formats. The Swiss-German suits are distinct enough to
merit their subcategory. Excluding Jokers and Tarot trumps, the French 52-card deck preserves the number of cards in the original Mamluk deck, while Latin and Germanic decks average fewer.</p>
<p>Within suits, there are regional or national variations called "standard patterns" because they are in the public domain, allowing multiple card manufacturers to copy them. Pattern differences are most easily found in the face cards but the number
of cards per deck, the use of numeric indices, or even minor shape and arrangement differences of the pips can be used to distinguish them. Some patterns have been around for hundreds of years. Jokers are not part of any pattern as they are
a relatively recent invention and lack any standardized appearance so each publisher usually puts their own trademarked illustration into their decks. </p>
</section>
</main>
<!-- Page Footer -->
<footer>
<p> © Card Foundation <br> 2017 <br> Please provide feedback to: jlongridge#jlinternet.co.uk </p>
</footer>
</body>
</html>
I've wrapped your sections in another section (parent) and just adapted the CSS code a little bit.
I've put width:45% so you can keep your margin:10px. Otherwise I would probably have set width:50%
Try using display:flex; on parent div
main {
display: flex;
width: 100%;
}
<!DOCTYPE html>
<html>
<head>
<title>History</title>
<link rel="stylesheet" type="text/css" href="../CSS/styles.css">
</head>
<body>
<!-- Page Header -->
<header>
<img class="imageBannerLeft" src="../images/bannerCardsLeft.png">
<img class="imageBannerRight" src="../images/bannerCardsRight.png">
<h1>Playing Cards</h1>
</header>
<!-- Navigation Bar -->
<nav>
<ul>
<li>Home</li>
<li>History</li>
<li>Multi-player</li>
<li>Single-player</li>
<li>Free Cards</li>
</ul>
</nav>
<!-- The main content of the page -->
<main>
<section>
<h2>Early history</h2>
<p>The first playing cards are recorded as being invented in China around the 9th century AD by the Tang dynasty author Su E who writes about the card game "leaf" in the text Collection of Miscellanea at Duyang. The text describes Princess Tongchang,
daughter of Emperor Yizong of Tang, playing leaf in 868AD with members of the family of the princess' husband.</p>
<p>The mass production of Cards became possible following the invention of wooden printing block technology. Early Chinese packs contained 30 cards with no suits.</p>
<p>The first cards may have doubled as actual paper currency being both the tools of gaming and the stakes being played for. This is similar to modern trading card games. Using paper money was inconvenient and risky so they were substituted by play
money known as "money cards".</p>
<p>The earliest dated instance of a game involving cards with suits and numerals occurred on 17 July 1294.</p>
</section>
<section>
<h2>European Adoption</h2>
<p>The first four-suited playing cards appeared in Europe in 1365. They are thought to originate from traditional latin decks whose suits included: cups, coins, swords, and polo-sticks. As Polo was not yet a European game, polo sticks became batons
(or cudgels). Wide use of playing cards is recorded from 1377 onwards.</p>
<p>Professional card makers in Ulm, Nuremberg, and Augsburg created printed decks. Playing cards even competed with devotional images as the most common uses for woodcuts in this period. These 15th-century playing cards were probably painted.</p>
<p>The Flemish Hunting Deck, held by the Metropolitan Museum of Art is the oldest complete set of ordinary playing cards made in Europe.</p>
<p>Cards were adapted in Europe to contain members of the royal court and by the 15th Century French and English packs of 56 cards contain the King, Queen and Knave cards.</p>
</section>
</main>
<section>
<img class="imageCardsRight" src="../images/germanPlayingCards.jpg">
<h2>Modern Cards</h2>
<p>Contemporary playing cards are grouped into three broad categories based on the suits they use: French, Latin, and Germanic. Latin suits are used in the closely related Spanish and Italian formats. The Swiss-German suits are distinct enough to merit
their subcategory. Excluding Jokers and Tarot trumps, the French 52-card deck preserves the number of cards in the original Mamluk deck, while Latin and Germanic decks average fewer.</p>
<p>Within suits, there are regional or national variations called "standard patterns" because they are in the public domain, allowing multiple card manufacturers to copy them. Pattern differences are most easily found in the face cards but the number
of cards per deck, the use of numeric indices, or even minor shape and arrangement differences of the pips can be used to distinguish them. Some patterns have been around for hundreds of years. Jokers are not part of any pattern as they are a
relatively recent invention and lack any standardized appearance so each publisher usually puts their own trademarked illustration into their decks. </p>
</section>
<!-- Page Footer -->
<footer>
<p> © Card Foundation <br> 2017 <br> Please provide feedback to: jlongridge#jlinternet.co.uk </p>
</footer>
</body>
</html>
You could also try the css grid. It's very powerful in terms of building complex grid layout.
Documentation
.parentDiv {
display: grid;
}
.firstChild {
grid-column: 1;
background-color: yellow;
}
.secondChild {
grid-column: 2;
background-color: lime;
}
<div class="parentDiv">
<div class="firstChild">
Column 1
</div>
<div class="secondChild">
Column 2
</div>
</div>
Related
I'm currently working in creating a nice page which will contain 4 tabs. For tabs navigation I used https://codepen.io/axelaredz/pen/ipome , which looks great.
The issue here is that I need to have a different height for each section that sits under each tab. Some tabs will contain more content, some less.
From what I see, in the css I only have one height of 370px for the whole UL.
How can I make this code adjust the height automatically, or at least to add different heights for each tab content?
I tried adding a position relative and height: auto to the UL but it won't work.
Any ideas how I can make it work?
THanks,
//C
<!DOCTYPE html>
<html>
<head>
<title>Pure CSS3 Tabs</title>
<meta charset="utf-8">
<meta name="viewport" content="width=device-width, initial-scale=1.0, minimum-scale=1.0">
<link rel="stylesheet" href="//cdnjs.cloudflare.com/ajax/libs/font-awesome/3.1.0/css/font-awesome.min.css" />
</head>
<body>
<div class="page">
<h1>Pure CSS Tabs</h1>
<!-- tabs -->
<div class="pcss3t pcss3t-effect-scale pcss3t-theme-1">
<input type="radio" name="pcss3t" checked id="tab1"class="tab-content-first">
<label for="tab1"><i class="icon-bolt"></i>Tesla</label>
<input type="radio" name="pcss3t" id="tab2" class="tab-content-2">
<label for="tab2"><i class="icon-picture"></i>da Vinci</label>
<input type="radio" name="pcss3t" id="tab3" class="tab-content-3">
<label for="tab3"><i class="icon-cogs"></i>Einstein</label>
<input type="radio" name="pcss3t" id="tab5" class="tab-content-last">
<label for="tab5"><i class="icon-globe"></i>Newton</label>
<ul>
<li class="tab-content tab-content-first typography">
<h1>Nikola Tesla</h1>
<p>Serbian-American inventor, electrical engineer, mechanical engineer, physicist, and futurist best known for his contributions to the design of the modern alternating current (AC) electrical supply system.</p>
<p>Tesla started working in the telephony and electrical fields before emigrating to the United States in 1884 to work for Thomas Edison. He soon struck out on his own with financial backers, setting up laboratories/companies to develop a range of electrical devices. His patented AC induction motor and transformer were licensed by George Westinghouse, who also hired Tesla as a consultant to help develop an alternating current system. Tesla is also known for his high-voltage, high-frequency power experiments in New York and Colorado Springs which included patented devices and theoretical work used in the invention of radio communication, for his X-ray experiments, and for his ill-fated attempt at intercontinental wireless transmission in his unfinished Wardenclyffe Tower project.</p><p>Tesla started working in the telephony and electrical fields before emigrating to the United States in 1884 to work for Thomas Edison. He soon struck out on his own with financial backers, setting up laboratories/companies to develop a range of electrical devices. His patented AC induction motor and transformer were licensed by George Westinghouse, who also hired Tesla as a consultant to help develop an alternating current system. Tesla is also known for his high-voltage, high-frequency power experiments in New York and Colorado Springs which included patented devices and theoretical work used in the invention of radio communication, for his X-ray experiments, and for his ill-fated attempt at intercontinental wireless transmission in his unfinished Wardenclyffe Tower project.</p>
<p class="text-right"><em>Find out more about Nikola Tesla from Wikipedia.</em></p>
</li>
</ul>
</div>
<!--/ tabs -->
</div>
</body>
</html>
In the codepen you provided, add an id to one of your li tags like this:
<li id="leo" class="tab-content tab-content-2 typography">
<h1>Leonardo da Vinci</h1>
<p>Italian Renaissance polymath: painter, sculptor, architect, musician, mathematician, engineer, inventor, anatomist, geologist, cartographer, botanist, and writer. His genius, perhaps more than that of any other figure, epitomized the Renaissance humanist ideal. Leonardo has often been described as the archetype of the Renaissance Man, a man of "unquenchable curiosity" and "feverishly inventive imagination". He is widely considered to be one of the greatest painters of all time and perhaps the most diversely talented person ever to have lived. According to art historian Helen Gardner, the scope and depth of his interests were without precedent and "his mind and personality seem to us superhuman, the man himself mysterious and remote". Marco Rosci states that while there is much speculation about Leonardo, his vision of the world is essentially logical rather than mysterious, and that the empirical methods he employed were unusual for his time.</p>
<p class="text-right"><em>Find out more about Leonardo da Vinci from Wikipedia.</em></p>
</li>
Then in your CSS, reference the id you created like below and work the height from there.
/**/
/* height */
/**/
.pcss3t > ul,
.pcss3t > ul > li {
height: 390px;
}
//leo is the id that has been added to the second tabs li tag
#leo {
height: 100px;
}
EDIT: To note, I'm not sure why you would want to edit the height on the ul tag since each tab is separated based on the li and not ul. Either way if you wanted to work the ul you could do it in a similar fashion by adding an id.
I just built my first AWS Apache Server and uploaded my website from my school project. The site works in Dreamweaver. However on my Apache server only some of the images appear. They all have the same path and are contained in the same folder /var/www/html/images. Some appear as intended, others are a broken link. Any ideas why it's not working? To get css to load I had to move my css folder. With the images some work fine while others do not. They are roughly the same size files. This is the code for one of the non working images:
<img src="../images/heart_stone2.JPG" alt="Desert Jasper" class="list_photo">
Here is the whole page:
<!doctype html>
<html lang="en">
<head>
<meta charset="utf-8">
<link rel="stylesheet" type="text/css" href="../css/styles.css">
<!-- favicon code -->
<link rel="apple-touch-icon" sizes="180x180" href="../images/apple-touch-icon.png">
<link rel="icon" type="image/png" sizes="32x32" href="../images/favicon-32x32.png">
<link rel="icon" type="image/png" sizes="16x16" href="../images/favicon-16x16.png">
<link rel="manifest" href="../images/site.webmanifest">
<meta name="msapplication-TileColor" content="#da532c">
<meta name="theme-color" content="#ffffff">
<title>Rock list</title>
</head>
<body>
<h1>List of Rocks and Minerals</h1>
<figure>
<figcaption>Description of Jasper</figcaption>
<div class="bottom_mar"><img src="../images/heart_stone2.JPG" alt="Desert Jasper" class="list_photo"><p>Jasper is an opaque rock of virtually any color stemming from the mineral content of the original sediments or ash. Patterns arise during the consolidation process forming flow and depositional patterns in the original silica rich sediment or volcanic ash. Hydrothermal circulation is generally thought to be required in the formation of jasper.</p><p> Jasper can be modified by the diffusion of minerals along discontinuities providing the appearance of vegetative growth, i.e., dendritic. The original materials are often fractured and/or distorted, after deposition, into diverse patterns, which are later filled in with other colorful minerals. Weathering, with time, will create intensely colored superficial rinds.</p><p> The classification and naming of jasper varieties presents a challenge. Terms attributed to various well-defined materials includes the geographic locality where it is found, sometimes quite restricted such as "Bruneau" (a canyon) and "Lahontan" (a lake), rivers and even individual mountains; many are fanciful, such as "forest fire" or "rainbow", while others are descriptive, such as "autumn" or "porcelain". A few are designated by the place of origin such as a brown Egyptian or red African.</p></div>
<div class="clear"></div>
<figcaption>Description of Amethyst</figcaption>
<div class="bottom_mar"><img src="../images/amethyst2.jpg" alt="Uruguayan Amethyst" class="list_photo"><p>Amethyst was used as a gemstone by the ancient Egyptians and was largely employed in antiquity for intaglio engraved gems.</p><p>The Greeks believed amethyst gems could prevent intoxication, while medieval European soldiers wore amethyst amulets as protection in battle in the belief that amethysts heal people and keep them cool-headed. Beads of amethyst were found in Anglo-Saxon graves in England. Anglican bishops wear an episcopal ring often set with an amethyst, an allusion to the description of the Apostles as "not drunk" at Pentecost in Acts 2:15.</p><p>A large geode, or "amethyst-grotto", from near Santa Cruz in southern Brazil was presented at a 1902 exhibition in Düsseldorf, Germany.</p><p>In the 19th century, the color of amethyst was attributed to the presence of manganese. However, since it can be greatly altered and even discharged by heat, the color was believed by some authorities to be from an organic source. Ferric thiocyanate has been suggested, and sulfur was said to have been detected in the mineral.</p></div>
<div class="clear"></div>
<figcaption>Description of Siva Lingams</figcaption>
<div class="bottom_mar"><img src="../images/siva_lingams2.jpg" alt="Siva Lingams" class="list_photo"><p>All traditional lingams come from only one place in the entire world, the Narmada River in India, at Onkar, Mandhata, which is one of the country’s seven sacred holy sites. In this sacred place, lingams wash up on the banks of the river or are carefully brought up from the riverbed.</p><p>India has a long, dry period, and it is at this time, when the river is at its lowest, that the nearby residents go out to the banks of the Narmada and gently pull the stones from their resting places. The lingams are then polished by hand, using methods in accordance with Vedic tradition. Many believe that the lingams are already sacred when they are pulled from the river, but also that the energy given to each lingam during polishing makes it extra special.</p></div>
<div class="clear"></div>
<figcaption>Description of Desert Rose</figcaption>
<div class="bottom_mar"><img src="../images/desert_roses2.jpg" alt="Desert Roses" class="list_photo"><p>Desert rose is the colloquial name given to rose-like formations of crystal clusters of gypsum or baryte which include abundant sand grains. The 'petals' are crystals flattened on the c crystallographic axis, fanning open in radiating flattened crystal clusters.</p><p>The rosette crystal habit tends to occur when the crystals form in arid sandy conditions, such as the evaporation of a shallow salt basin. The crystals form a circular array of flat plates, giving the rock a shape similar to a rose blossom. Gypsum roses usually have better defined, sharper edges than baryte roses. Celestine and other bladed evaporite minerals may also form rosette clusters. They can appear either as a single rose-like bloom or as clusters of blooms, with most sizes ranging from pea sized to 4 inches (10 cm) in diameter.</p><p>The ambient sand that is incorporated into the crystal structure, or otherwise encrusts the crystals, varies with the local environment. If iron oxides are present, the rosettes take on a rusty tone.</p><p>The desert rose may also be known by the names: sand rose, rose rock, selenite rose, gypsum rose and baryte (barite) rose.</p><p>Rose rocks are found in Tunisia, Libya, Morocco, Algeria, Jordan, Saudi Arabia, Qatar, Egypt, the United Arab Emirates, Spain (Fuerteventura, Canary Islands; Canet de Mar, Catalonia; La Almarcha, Cuenca), Mongolia (Gobi), Germany (Rockenberg), the United States (central Oklahoma; Cochise County, Arizona; Texas), Mexico (Ciudad Juárez, Chihuahua), Australia, South Africa and Namibia.</p></div>
<div class="clear"></div>
<figcaption>Description of Aragonite</figcaption>
<div class="bottom_mar"><img src="../images/aragonite2.jpg" alt="Aragonite" class="list_photo"><p>The type location for aragonite is Molina de Aragón in the Province of Guadalajara in Castilla-La Mancha, Spain, for which it was named in 1797. The mineral is not (as often assumed) named for the region of Aragon: Molina de Aragón is located in the historic region of Castile, albeit only 25 kilometers away from the border with Aragon. Aragonite is found in this locality as cyclic twins inside gypsum and marls of the Keuper facies of Triassic.[4] This type of aragonite deposits are very common in Spain, and there are also some in France and Morocco.</p><p>An aragonite cave, the Ochtinská Aragonite Cave, is situated in Slovakia. In the US, aragonite in the form of stalactites and "cave flowers" (anthodite) is known from Carlsbad Caverns and other caves. Massive deposits of oolitic aragonite sand are found on the seabed in the Bahamas.</p><p>Aragonite is the high pressure polymorph of calcium carbonate. As such, it occurs in high pressure metamorphic rocks such as those formed at subduction zones.</p></div>
<div class="clear"></div>
<figcaption>Description of Apophyllite</figcaption>
<div class="bottom_mar"><img src="../images/aphopholite2.jpg" alt="Aphopholite" class="list_photo"><p>The name apophyllite refers to a specific group of phyllosilicates, a class of minerals. Originally, the group name referred to a specific mineral, but was redefined in 1978 to stand for a class of minerals of similar chemical makeup that comprise a solid solution series, and includes the members fluorapophyllite-(K), fluorapophyllite-(Na), hydroxyapophyllite-(K). The name apophyllite is derived from the Greek ἀποφυλλίζω apophylliso, meaning "it flakes off", a reference to this class's tendency to flake apart when heated, due to water loss. These minerals are typically found as secondary minerals in vesicles in basalt or other volcanic rocks. A recent change (2008) in the nomenclature system used for this group was approved by the International Mineralogical Association, removing the prefixes from the species names and using suffixes to designate the species. A subsequent nomenclature change approved by the International Mineralogical Association in 2013 renamed the minerals to include both suffixes and prefixes, as shown above.</p><p>Though relatively unfamiliar to the general public, apophyllites are fairly prevalent around the world, with specimens coming from some of the world's most well-known mineral localities. These localities include: Jalgaon, India; the Harz Mountains of Germany, Mont Saint-Hilaire in Canada, and Kongsberg, Norway, with other locations in Scotland, Ireland, Brazil, Japan, and throughout the United States.</p></div>
<div class="clear"></div>
<figcaption>Description of Calcite</figcaption>
<div class="bottom_mar"><img src="../images/calcite2.jpg" alt="Orange Banded Calcite" class="list_photo"><p>Ancient Egyptians carved many items out of calcite, relating it to their goddess Bast, whose name contributed to the term alabaster because of the close association. Many other cultures have used the material for similar carved objects and applications.</p><p>High-grade optical calcite was used in World War II for gun sights, specifically in bomb sights and anti-aircraft weaponry.[13] Also, experiments have been conducted to use calcite for a cloak of invisibility.</p><p>Calcite is a common constituent of sedimentary rocks, limestone in particular, much of which is formed from the shells of dead marine organisms. Approximately 10% of sedimentary rock is limestone. It is the primary mineral in metamorphic marble. It also occurs in deposits from hot springs as a vein mineral; in caverns as stalactites and stalagmites; and in volcanic or mantle-derived rocks such as carbonatites, kimberlites, or rarely in peridotites.</p><p>Calcite is often the primary constituent of the shells of marine organisms, e.g., plankton (such as coccoliths and planktic foraminifera), the hard parts of red algae, some sponges, brachiopods, echinoderms, some serpulids, most bryozoa, and parts of the shells of some bivalves (such as oysters and rudists). Calcite is found in spectacular form in the Snowy River Cave of New Mexico as mentioned above, where microorganisms are credited with natural formations. Trilobites, which became extinct a quarter billion years ago, had unique compound eyes that used clear calcite crystals to form the lenses.</p><p>The largest documented single crystal of calcite originated from Iceland, measured 7×7×2 m and 6×6×3 m and weighed about 250 tons.</p></div>
<div class="clear"></div>
<figcaption>Description of Spirit Quartz</figcaption>
<div class="bottom_mar"><img src="../images/spirit_quartz2.jpg" alt="Spirit Quartz" class="list_photo"><p>Spirit Quartz is an unusual member of the Quartz family - a community within a stone. Its core, a larger, candle-shaped crystal with a faceted termination point, is encrusted with hundreds of smaller crystal termination points. Also referred to as Cactus Quartz or Porcupine Quartz, it is found only in the Magaliesberg Mountain region of South Africa, first appearing around 2001. Most Spirit Quartz is Amethyst, though Citrine, Smokey, and White Quartz are also mined.</p><p>The word "quartz" is derived from the German word "Quarz", which had the same form in the first half of the 14th century in Middle High German in East Central German[8] and which came from the Polish dialect term kwardy, which corresponds to the Czech term tvrdý ("hard").</p><p>The Ancient Greeks referred to quartz as κρύσταλλος (krustallos) derived from the Ancient Greek κρύος (kruos) meaning "icy cold", because some philosophers (including Theophrastus) apparently believed the mineral to be a form of supercooled ice.[10] Today, the term rock crystal is sometimes used as an alternative name for the purest form of quartz.</p></div>
<div class="clear"></div>
<figcaption>Description of Moldavite</figcaption>
<div class="bottom_mar"><img src="../images/moldavite2.jpg" alt="Moldavite" class="list_photo"><p>Moldavite is a forest green, olive green or blue greenish vitreous silica projectile rock formed by a meteorite impact probably in southern Germany (Nördlinger Ries Crater)[3] that occurred about 15 million years ago. It is a type of tektite.</p><p>Moldavite was introduced to the scientific public for the first time in 1786 as "chrysolites" from Týn nad Vltavou in a lecture by Josef Mayer of Prague University, read at a meeting of the Bohemian Scientific Society (Mayer 1788). Zippe (1836) first used the term "Moldavite", derived from the Moldau (Vltava) river in Bohemia (the Czech Republic), from where the first described pieces came.</p><p>In 1900, F. E. Suess pointed out that the gravel-size moldavites exhibited curious pittings and wrinkles on the surface, which could not be due to the action of water, but resembled the characteristic markings on many meteorites. He attributed the material to a cosmic origin and regarded moldavites as a special type of meteorite for which he proposed the name of tektite. Because of their difficult fusibility, extremely low water content, and chemical composition, the current consensus among earth scientists is that moldavites were formed about 14.7 million years ago during the impact of a giant meteorite in the present-day Nördlinger Ries crater. Splatters of material that was melted by the impact cooled while they were actually airborne and most fell in Bohemia. Currently, moldavites have been found in an area that includes southern Bohemia, western Moravia, the Cheb Basin (northwest Bohemia), Lusatia (Germany), and Waldviertel (Austria). Isotope analysis of samples of moldavites have shown a beryllium-10 isotope composition similar to the composition of Australasian tektites (australites) and Ivory Coast tektites (ivorites).</p></div>
</figure>
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I found that the file extension on some of the pictures was capitalized. These pictures wouldn't load until I changed .JPG to .jpg.
How do you fix the size of the image in this code?
If you see it in my project,this is coming just in the middle of my footer,between the instagram icon nd my h6.
I also would like to ask some tips for the title,I find it bit boring,could you help me with this please guys!
How do you fix the size of the image in this code?
If you see it in my project,this is coming just in the middle of my footer,between the instagram icon nd my h6.
I also would like to ask some tips for the title,I find it bit boring,could you help me with this please guys!
<!DOCTYPE html>
<html>
<head>
<title>This is London</title>
<link rel="stylesheet" type="text/css" href="css/style.css">
<link href="https://fonts.googleapis.com/css?family=ZCOOL+XiaoWei&display=swap" rel="stylesheet">
</head>
<body>
<div id="nav">
<ul>
<li><a class="active" href="#home">Home</a></li>
<li>Getting around</li>
<li>About</li>
<li>Contact</li>
</ul>
</div> <!-- End of nav -->
<div id="header">
<div id="header-text">
<h2>
Visiting London has never been easier with these ideas.
</h2>
<p>The capital of the United Kingdom is a thriving multicultural metropolis. The contrast between the spectacular historic sights and the lively cultural scene makes a visit to London an interesting and exciting adventure. </p>
</div> <!-- End of header-text -->
</div> <!-- End of header -->
<div id="middle">
<div id="mid-text">
<h1>- Getting around in London -</h1>
<h5>One of the world's most visited cities, London has something for everyone: from history and culture to fine food and good times.</h5>
<p>Immersed in history, London's rich seams of eye-opening antiquity are everywhere. The city's buildings are striking milestones in a unique and beguiling biography, and a great many of them – the Tower of London, Westminster Abbey, Big Ben – are instantly recognisable landmarks. There’s more than enough innovation (the Shard, the Tate Modern extension, the Sky Garden) to put a crackle in the air, but it never drowns out London’s seasoned, centuries-old narrative. Architectural grandeur rises up all around you in the West End, ancient remains dot the City and charming pubs punctuate the historic quarters, leafy suburbs and river banks. Take your pick.
Art & Culture
A tireless innovator of art and culture, London is a city of ideas and the imagination. Londoners have always been fiercely independent thinkers (and critics), but until not so long ago people were suspicious of anything they considered avant-garde. That’s in the past now, and the city’s creative milieu is streaked with left-field attitude, whether it's theatrical innovation, contemporary art, pioneering music, writing, poetry, architecture or design. Food is another creative arena that has become a tireless obsession in certain circles.
Diversity
This city is deeply multicultural, with one in three Londoners foreign-born, representing 270 nationalities and 300 tongues. The UK may have voted for Brexit (although the majority of Londoners didn't), but for now London remains one of the world's most cosmopolitan cities, and diversity infuses daily life, food, music and fashion. It even penetrates intrinsically British institutions; the British Museum and Victoria & Albert Museum have collections as varied as they are magnificent, while the flavours at centuries-old Borough Market run the full global gourmet spectrum.
A Tale of Two Cities
London is as much about wide-open vistas and leafy landscape escapes as it is high-density, sight-packed urban exploration. Central London is where the major museums, galleries and most iconic sights congregate, but visit Hampstead Heath or the Queen Elizabeth Olympic Park to flee the crowds and frolic in wide open green expanses. You can also venture further out to Kew Gardens, Richmond or Hampton Court Palace for beautiful panoramas of riverside London followed by a pint in a quiet waterside pub.</p>
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<a href="https://goo.gl/maps/PSDhvQ25fRZBqWHC8" target="_blank">
<img src="images/Feature-images.jpg" alt="Map">
</a>
</div><!-- End of img-mid -->
</div> <!-- End of mid-text -->
</div> <!-- End of middle -->
<div id="footer">
<div class="credits">
<div class="credits_left">
<h6> Designed by Alba Heidari</h6>
</div>
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Add this to your css file:
#img-mid{
height: 300px;
width: 300px;
}
#img-mid img{
max-width: 100%;
max-height: 100%;
min-height: 100%;
min-width: 100%;
object-fit: cover;
}
I am trying to get my html website page to have the "Most Beautiful Theorem?" section on the right side. However, I can't figure out how to do that. Right now it is just showing up under all my other headings like normal but I want it on the right side of the page as a separate column. If you could help me that would be great. Thanks!
here's the coding I have now:
<!DOCTYPE html>
<html lang="en">
<!-- Math High home page
McLain-Graning MaKayla, CSIS 140, Fall 2015
-->
<head>
<meta charset="utf-8" />
<title>Math High</title>
<link href="css/MathHighStyles.css" rel="stylesheet" type="text/css"/>
</head>
<body>
<header>
<img src="images_MathHigh/mhlogo.jpg" alt="Math High"/>
<h2>Leonhard Euler (1707-1783)</h2>
</header>
<section>
<article>
<p>
The greatest mathematician of the eighteenth century,
<strong>Leonhard Euler</strong> was born in Basel, Switzerland. There,
he studied under another giant of mathematics, <strong>Jean
Bernoulli</strong>. In 1731 Euler became a professor of physics
and mathematics at St. Petersburg Academy of Sciences.
Euler was the most prolific mathematician of all time,
publishing over 800 different books and papers. His
influence was felt in physics and astronomy as well.
</p>
</article>
<p>
He is perhaps best known for his research into
mathematical analysis. Euler's work,
Introductio in analysin infinitorum (1748),
remained a standard textbook in the field for
well over a century. For the princess of Anhalt-Dessau he wrote
Lettres a une princesse d'Allemagne (1768-1772),
giving a clear non-technical outline of the main
physical theories of the time.
</p>
<p>
One can hardly write a mathematical equation without
copying Euler. Notations still in use today, such
as e and pi, were introduced
in Euler's writings. Leonhard Euler died in 1783,
leaving behind a legacy perhaps unmatched, and
certainly unsurpassed, in the annals of mathematics.
</p>
</section>
<aside>
<h1>The Most Beautiful Theorem?</h1>
<p>Euler's Equation:</p>
<p>cos(x) + i*sin(x) = e to the power (i*x)</p>
<p>demonstrates the relationship between algebra,
complex analysis, and trigonometry. From this
equation, it's easy to derive the identity:
</p>
<p>e to the power (pi*i) + 1 = 0</p>
<p>which relates the fundamental constants:
0, 1, pi, e, and i in a single beautiful and
elegant statement. A poll of readers
conducted by The Mathematical Intelligencer
magazine named Euler's Identity as the
most beautiful theorem in the history of
mathematics.</p>
<p>Math High: A Site for Educators and Researchers</p>
</aside>
</body>
</html>
Give the h1 element an id or a class name and add a CSS style to make the heading float.
See http://www.w3schools.com/css/css_float.asp
So I'm building out a design for a client for a single-page newsletter site. Attached is the concept here and I have everything built out except the actual main copy. The idea is that they add in new news every day, and what they want to do is have a simple page that has basic styling markup applied to the news, that will then get sucked into the page via AJAX or something similar. However, with the column format, they want the columns to be auto-created by some method applied when the content is getting sucked into the page. Each news story preview will be the same length and formatting. My question is, is it possible to have columns auto-created that are a specific height and width and just have them be auto-created until they run out of copy? I'm a graphic designer with only experience in HTML and CSS, so I'm looking for solutions that are within my abilities. Thank you for any suggestions anyone might have! At this point I'm just looking to be pointed in the right direction.
Here is the current page I have up: http://personal.justgooddesign.net/dailydose/
What I want is for a new column to be created with each h2 element. Here's a sample of the code:
<h1>Top News Stories for November 11, 2011</h1>
<hr color="#fe0000" />
<h2>Coffee growers in Uganda and elsewhere find climate change hurting their crops</h2>
A farmer near Uganda's Mount Elgon holds Arabica coffee berries. It's getting more difficult to grow coffee berries because of erratic weather patterns. (Photo by Jill Braden Balderas.) In Uganda, the coffee trees are nearly empty — and it's not ...
<br />http://www.pri.org
<h2>Exclusive: Europe coffee buyers upset at Liffe delivery delays</h2>
Some companies that urgently need robusta coffee -- used mostly in blends and instant coffee and the second largest grown variety after arabica coffee -- are scrambling to find other sources. Many are turning to the spot market and effectively paying ...
<br />
http://www.reuters.com
<h2>Asia Coffee: Vietnam Slow to Sell, Indonesia Premiums Dip</h2>
Robusta coffee beans are roasted at the Losari Coffee Plantation in Magelang, Central Java, Indonesia, on Saturday, Sept. 18, 2010. Indonesia is the largest Asian coffee grower after Vietnam. (Bloomberg Photo/ Dimas Ardian) Singapore. ...
<br />
http://www.thejakartaglobe.com
<h2>Coffee Cupping</h2>
By Rachel Gibian and Nicole J. Levin, CONTRIBUTING WRITERS With a metal spoon and the steady hands of a surgeon, Jaime Vanschyndel, general manager of Barismo, gently pushes aside the coffee grounds that have floated to the surface of the cup. ...
<br />
http://www.thecrimson.com
<h2>Espresso cups outsell mugs</h2>
Britain's coffee revolution has claimed another victim: the humble mug. According to two leading department stores, sales of espresso cups are now outselling mugs for the first time, as more and more households switch to using coffee machines. ...
<br />
http://www.telegraph.co.uk
<h2>Specialty coffee abounds in Austin</h2>
Austin has a number of local coffee outlets that specialize in roasting their own beans, providing much needed caffeination for countless Austinites. Third Coast Coffee is a fair trade coffee house that serves up many Austinites on a daily basis. ...
<br />
http://www.dailytexanonline.com
<img src="IMG/main-banner_2.jpg" id="ad-b" />
<h1>For Roasters and Retailers</h1>
<hr color="#fe0000" />
You could use divs that are 50% width and float, like this:
jsfiddle: http://jsfiddle.net/myn3h/
CSS
#Container {
overflow: auto;
}
.NewsItem {
float: left;
width: 50%;
height: 100px;
background: red;
}
HTML
<div id="Container">
<div class="NewsItem">
<h1>title</h1>
<p>
Lorem ipsum dolor sit amet..
</p>
</div>
<div class="NewsItem">
<h1>title</h1>
<p>
Lorem ipsum dolor sit amet..
</p>
</div>
<div class="NewsItem">
<h1>title</h1>
<p>
Lorem ipsum dolor sit amet..
</p>
</div>
</div>
Update
You could try CSS3 multi column layout. It's just not widely supported yet:
#container {
-moz-column-width: 13em;
-webkit-column-width: 13em;
-moz-column-gap: 1em;
-webkit-column-gap: 1em;
}
CSS3.info Reference: multi column layout
W3C reference: CSS multi-column layout module
caniuse reference: multiple column layout