Div fixed while scrolling in container but not fixed while in browser - html

How can I keep a div fixed while scrolling in a container but it must be movable while scrolling in browser.
example:
<div id="container">
<div id="left">
</div>
<div id = "right">
Movable div
</div>
</div>
I would like to keep the div 'right' fixed. Added a small example in this jsfiddle: https://jsfiddle.net/yvhgv4Lw/4/ .

If jquery is allowed, you can use this method.
$('document').ready(function() {
$(window).scroll(function() {
$('#right').css('position', 'absolute');
})
$('#container').scroll(function() {
$('#right').css('position', 'fixed');
})
})
body{
margin:0;
padding:0;
}
#container {
height: 900px;
overflow-y: scroll;
position: relative;
background-color: red;
}
#left {
float: left;
width: 60%;
}
#right {
height: 300px;
float: right;
width: 37%;
position: fixed;
background-color: blue;
}
<script src="https://ajax.googleapis.com/ajax/libs/jquery/3.1.1/jquery.min.js"></script>
<div id="container">
<div id="left">
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</div>
<div id="right">
Movable div
</div>
</div>

Related

I am trying to align text and image horizontally for my website [duplicate]

This question already has answers here:
Text floating in block next to image
(6 answers)
Closed 3 years ago.
As the title suggests, I am trying to align the following image and text side by side and I can't seem to figure out how to do this.
Here is the relevant HTML:
<div class="projects">
<div class="img_description">
Proj 1
<p>Answer misery adieus add wooded how nay men before though. Pretended belonging contented mrs suffering favourite you the continual.
Mrs civil nay least means tried drift. Natural end law whether but and towards certain. Furnished
unfeeling his sometimes see day promotion. Quitting informed concerns can men now. Projection to or up
conviction uncommonly delightful continuing. In appetite ecstatic opinions hastened by handsome admitted. </p></div>
<div class="project_image"><img src="dog.jpeg" width='250' height='250'></div>
</div>
And the relevant CSS:
.projects {
width: 70%;
margin: 0px auto;
}
I don't know if you are using it, but maybe take a look at bootstrap.
https://getbootstrap.com/.
Bootstrap is insanely awesome when it comes to styling css.
Here is a bootstrap example of what you are trying to do:
<div class="row">
<div class="col-3">
<img src="dog.jpeg" class="img-fluid">
<div>
<div class="col-9">
Proj 1
<p>
Answer misery adieus add wooded how nay men before though. Pretended
belonging contented mrs suffering favourite you the continual.
Mrs civil nay least means tried drift. Natural end law whether but and
towards certain. Furnished unfeeling his sometimes see day promotion.
Quitting informed can men now. Projection to or up conviction uncommonly
delightful continuing. In appetite ecstatic opinions hastened by handsome
admitted.
</p>
</div>
</div>
Easily done, and bootstrap does everything for you.
That being said, maybe you do not want to use bootstrap, then you can just do the following to your current HTML setup.
<div class="projects">
<div class="project_image">
<img src="dog.jpeg" width='250' height='250'></div>
</div>
<div class="img_description">
Proj 1
<p>
Answer misery adieus add wooded how nay men before though. Pretended
belonging contented mrs suffering favourite you the continual.
Mrs civil nay least means tried drift. Natural end law whether but and
towards certain. Furnished unfeeling his sometimes see day promotion.
Quitting informed can men now. Projection to or up conviction uncommonly
delightful continuing. In appetite ecstatic opinions hastened by handsome
admitted.
</p>
</div>
</div>
.projects{
width: 70%;
margin: 0px auto;
}
.img_description,
.project_image{
width: 50%;
display: inline-block;
}
That should also display your div's next to each other
you can do it using flexbox, by assigning display:flex in your projects class. this will display the child of the class="projects" horizontally/row. and if you want the image to be on the left side, you should put it first followed by your image description.
.projects{
display:flex;
}
<div class="projects">
<div class="project_image"><img src="dog.jpeg" width='250' height='250'></div>
<div class="img_description">
Proj 1
<p>Answer misery adieus add wooded how nay men before though. Pretended belonging contented mrs suffering favourite you the continual.
Mrs civil nay least means tried drift. Natural end law whether but and towards certain. Furnished
unfeeling his sometimes see day promotion. Quitting informed concerns can men now. Projection to or up
conviction uncommonly delightful continuing. In appetite ecstatic opinions hastened by handsome admitted. </p></div>
</div>
check out this link for more information https://css-tricks.com/snippets/css/a-guide-to-flexbox/
hope it helps.
use this css
text-align:justify;

How to stop auto line-breaks and centralize the lines the way I want them to be?

How to make
look like
All I want to do is put the line-breaks in the correct place as it is in the second image. I also tried to use display options, as well as text-align... Maybe I am doing it the wrong way. I would be greatful if you guys could help.
<html>
<head>
<title>Tribute page</title>
<style type="text/css">
html,body{
font-family:"Trebuchet MS", Helvetica, sans-serif;
text-align:center;
min-width:260px;
color:#333;
}
#main{
margin:30px auto;
padding:15px;
border:0px solid;
border-radius:5px;
background:#eee;
}
#image{
max-width: 100%;
display: block;
height: auto;
margin: auto;
}
#img-div{
margin:-5px;
margin-top:20px;
width:100%;
border:5px solid white;
background:white;
}
#img-caption{
margin:15px;
}
#headline{
margin-top:50px;
text-align:left;
}
ul{
max-width:550px;
margin: 0 auto;
text-align:left;
}
li{
margin: 10px;
}
h3{
}
blockquote{
font-style: italic;
}
</style>
</head>
<body>
<div id="main">
<h1 id="title">Dr Norman Borlaug</h1>
<div>The man who saved a billion lives</div>
<div id="img-div">
<img src="C:\Users\User\Desktop\Freecodecamp\Tributepage\norman.jpg" id="image">
<div id="img-caption">Dr. Norman Borlaug, second from left, trains biologists in Mexico on how to increase wheat yields - part of his life-long war on hunger.</div>
</div>
<div id="tribute-info">
<ul>
<h3 id="headline">Here's a time line of Dr. Borlaug's life:</h3>
<li><strong>1914</strong> - Born in Cresco, Iowa</li>
<li><strong>1933</strong> - Leaves his family's farm to attend the University of Minnesota, thanks to a Depression era program known as the "National Youth Administration"</li>
<li><strong>1935</strong> - Has to stop school and save up more money. Works in the Civilian Conservation Corps, helping starving Americans. "I saw how food changed them", he said. "All of this left scars on me."</li>
<li><strong>1937</strong> - Finishes university and takes a job in the US Forestry Service</li>
<li><strong>1938</strong> - Marries wife of 69 years Margret Gibson. Gets laid off due to budget cuts. Inspired by Elvin Charles Stakman, he returns to school study under Stakman, who teaches him about breeding pest-resistent plants.</li>
<li><strong>1941</strong> - Tries to enroll in the military after the Pearl Harbor attack, but is rejected. Instead, the military asked his lab to work on waterproof glue, DDT to control malaria, disenfectants, and other applied science.</li>
<li><strong>1942</strong> - Receives a Ph.D. in Genetics and Plant Pathology</li>
<li><strong>1944</strong> - Rejects a 100% salary increase from Dupont, leaves behind his pregnant wife, and flies to Mexico to head a new plant pathology program. Over the next 16 years, his team breeds 6,000 different strains of disease resistent
wheat - including different varieties for each major climate on Earth.</li>
<li><strong>1945</strong> - Discovers a way to grown wheat twice each season, doubling wheat yields</li>
<li><strong>1953</strong> - crosses a short, sturdy dwarf breed of wheat with a high-yeidling American breed, creating a strain that responds well to fertalizer. It goes on to provide 95% of Mexico's wheat.</li>
<li><strong>1962</strong> - Visits Delhi and brings his high-yielding strains of wheat to the Indian subcontinent in time to help mitigate mass starvation due to a rapidly expanding population</li>
<li><strong>1970</strong> - receives the Nobel Peace Prize</li>
<li><strong>1983</strong> - helps seven African countries dramatically increase their maize and sorghum yields</li>
<li><strong>1984</strong> - becomes a distinguished professor at Texas A&M University</li>
<li><strong>2005</strong> - states "we will have to double the world food supply by 2050." Argues that genetically modified crops are the only way we can meet the demand, as we run out of arable land. Says that GM crops are not inherently dangerous
because "we've been genetically modifying plants and animals for a long time. Long before we called it science, people were selecting the best breeds."</li>
<li><strong>2009</strong> - dies at the age of 95.</li><br><br>
<blockquote>
<p>"Borlaug's life and achievement are testimony to the far-reaching contribution that one man's towering intellect, persistence and
scientific vision can make to human peace and progress."</p>
<div>-- Indian Prime Minister Manmohan Singh</div>
</blockquote>
<h3>If you have time, you should read more about this incredible human being on his Wikipedia entry.</h3>
</ul>
</div>
</div>
</body>
</html>
You are close :)
If you pull the <blockquote> and the <h3> out of the <ul> and insert after the </div>beneath it, you would have your result the way you want it.
Like this:
</ul>
</div>
<blockquote>
<p>"Borlaug's life and achievement are testimony to the far-reaching contribution that one man's towering intellect, persistence and
scientific vision can make to human peace and progress."</p>
<div>-- Indian Prime Minister Manmohan Singh</div>
</blockquote>
<h3>If you have time, you should read more about this incredible human being on his Wikipedia entry.</h3>
</div>
</body>
</html>
There are some other "rule of thumb" things wrong with your code, but like you said you are new, and I won't bother you with it :)
Welcome, and hope you like coding.
EDIT: Also, if you would like the line to break the exact same places as in your example, you can make a <div>around the two elements (the blockquote and the h3) and set a width on the div with CSS or add padding to the div, so that it would match exactly.
It looks like you just need to add a width or max-width to the elements attribute (in this case the <p> and <div> inside <blockquote>. Then you can use margin to center the element.
blockquote p {
width: 600px; //this could be a percent or max-width
margin: 0 auto; //margin top/bottom & margin left/right
}
One thing to note, the exact location of line breaks will vary between monitors, browsers, and devices as the "size" of the font will vary a bit. You can either fight that and try to be super exact or you can embrace the fluid nature of the web.

Last margin ignored on CSS3 columns

Hi im trying to make horizontally "paged" text. I.e. the container has fixed height and should include n fixed width horizontally scrolling blocks. I am using css3 columns for that. Works nicely, but ignores last margin/padding, i.e. if you scroll all the way to the right, last column is flush with edge of screen which is not obviously what I want
DEMO: https://jsfiddle.net/d1ae6uet/
#foo {
column-width: 500px;
height: 500px;
column-gap: 50px;
padding: 50px;
}
<div id="foo">
<p>
</p>
<p>
Produced by G. Fuhrman
</p>
<p>
LEAVES OF GRASS
</p>
<p>
By Walt Whitman
</p>
<p>
Come, said my soul, Such verses for my Body let us write, (for we are one,) That should I after return, Or, long, long hence, in other spheres, There to some group of mates the chants resuming, (Tallying Earth's soil, trees, winds, tumultuous waves,) Ever with pleas'd smile I may keep on, Ever and ever yet the verses owning--as, first, I here and now Signing for Soul and Body, set to them my name,
</p>
<p>
Walt Whitman
</p>
<p>
BOOK I. INSCRIPTIONS
</p>
<h2>
<a name='chapter_90'></a>
BOOK I. INSCRIPTIONS
</h2>
<p>
One's-self I sing, a simple separate person, Yet utter the word Democratic, the word En-Masse.
</p>
<p>
Of physiology from top to toe I sing, Not physiognomy alone nor brain alone is worthy for the Muse, I say the Form complete is worthier far, The Female equally with the Male I sing.
</p>
<p>
Of Life immense in passion, pulse, and power, Cheerful, for freest action form'd under the laws divine, The Modern Man I sing.
</p>
<p>
As I Ponder'd in Silence
</p>
<p>
As I ponder'd in silence, Returning upon my poems, considering, lingering long, A Phantom arose before me with distrustful aspect, Terrible in beauty, age, and power, The genius of poets of old lands, As to me directing like flame its eyes, With finger pointing to many immortal songs, And menacing voice, What singest thou? it said, Know'st thou not there is but one theme for ever-enduring bards? And that is the theme of War, the fortune of battles, The making of perfect soldiers.
</p>
<p>
Be it so, then I answer'd, I too haughty Shade also sing war, and a longer and greater one than any, Waged in my book with varying fortune, with flight, advance and retreat, victory deferr'd and wavering, (Yet methinks certain, or as good as certain, at the last,) the field the world, For life and death, for the Body and for the eternal Soul, Lo, I too am come, chanting the chant of battles, I above all promote brave soldiers.
</p>
<p>
In Cabin'd Ships at Sea
</p>
<p>
In cabin'd ships at sea, The boundless blue on every side expanding, With whistling winds and music of the waves, the large imperious waves, Or some lone bark buoy'd on the dense marine, Where joyous full of faith, spreading white sails, She cleaves the ether mid the sparkle and the foam of day, or under many a star at night, By sailors young and old haply will I, a reminiscence of the land, be read, In full rapport at last.
</p>
<p>
Here are our thoughts, voyagers' thoughts, Here not the land, firm land, alone appears, may then by them be said, The sky o'erarches here, we feel the undulating deck beneath our feet, We feel the long pulsation, ebb and flow of endless motion, The tones of unseen mystery, the vague and vast suggestions of the briny world, the liquid-flowing syllables, The perfume, the faint creaking of the cordage, the melancholy rhythm, The boundless vista and the horizon far and dim are all here, And this is ocean's poem.
</p>
<p>
Then falter not O book, fulfil your destiny, You not a reminiscence of the land alone, You too as a lone bark cleaving the ether, purpos'd I know not whither, yet ever full of faith, Consort to every ship that sails, sail you! Bear forth to them folded my love, (dear mariners, for you I fold it here in every leaf;) Speed on my book! spread your white sails my little bark athwart the imperious waves, Chant on, sail on, bear o'er the boundless blue from me to every sea, This song for mariners and all their ships.
</p>
<p>
To Foreign Lands
</p>
<p>
I heard that you ask'd for something to prove this puzzle the New World, And to define America, her athletic Democracy, Therefore I send you my poems that you behold in them what you wanted.
</p>
<p>
To a Historian
</p>
<p>
You who celebrate bygones, Who have explored the outward, the surfaces of the races, the life that has exhibited itself, Who have treated of man as the creature of politics, aggregates, rulers and priests, I, habitan of the Alleghanies, treating of him as he is in himself in his own rights, Pressing the pulse of the life that has seldom exhibited itself, (the great pride of man in himself,) Chanter of Personality, outlining what is yet to be, I project the history of the future.
</p>
<p>
To Thee Old Cause
</p>
<p>
To thee old cause! Thou peerless, passionate, good cause, Thou stern, remorseless, sweet idea, Deathless throughout the ages, races, lands, After a strange sad war, great war for thee, (I think all war through time was really fought, and ever will be really fought, for thee,) These chants for thee, the eternal march of thee.
</p>
<p>
(A war O soldiers not for itself alone, Far, far more stood silently waiting behind, now to advance in this book.)
</p>
<p>
Thou orb of many orbs! Thou seething principle! thou well-kept, latent germ! thou centre! Around the idea of thee the war revolving, With all its angry and vehement play of causes, (With vast results to come for thrice a thousand years,) These recitatives for thee,--my book and the war are one, Merged in its spirit I and mine, as the contest hinged on thee, As a wheel on its axis turns, this book unwitting to itself, Around the idea of thee.
</p>
<p>
Eidolons
</p>
<p>
I met a seer, Passing the hues and objects of the world, The fields of art and learning, pleasure, sense, To glean eidolons.
</p>
<p>
Put in thy chants said he, No more the puzzling hour nor day, nor segments, parts, put in, Put first before the rest as light for all and entrance-song of all, That of eidolons.
</p>
<p>
Ever the dim beginning, Ever the growth, the rounding of the circle, Ever the summit and the merge at last, (to surely start again,) Eidolons! eidolons!
</p>
<p>
Ever the mutable, Ever materials, changing, crumbling, re-cohering, Ever the ateliers, the factories divine, Issuing eidolons.
</p>
<p>
Lo, I or you, Or woman, man, or state, known or unknown, We seeming solid wealth, strength, beauty build, But really build eidolons.
</p>
<p>
The ostent evanescent, The substance of an artist's mood or savan's studies long, Or warrior's, martyr's, hero's toils, To fashion his eidolon.
</p>
<p>
Of every human life, (The units gather'd, posted, not a thought, emotion, deed, left out,) The whole or large or small summ'd, added up, In its eidolon.
</p>
<p>
The old, old urge, Based on the ancient pinnacles, lo, newer, higher pinnacles, From science and the modern still impell'd, The old, old urge, eidolons.
</p>
<p>
The present now and here, America's busy, teeming, intricate whirl, Of aggregate and segregate for only thence releasing, To-day's eidolons.
</p>
<p>
These with the past, Of vanish'd lands, of all the reigns of kings across the sea, Old conquerors, old campaigns, old sailors' voyages, Joining eidolons.
</p>
<p>
Densities, growth, facades, Strata of mountains, soils, rocks, giant trees, Far-born, far-dying, living long, to leave, Eidolons everlasting.
</p>
<p>
Exalte, rapt, ecstatic, The visible but their womb of birth, Of orbic tendencies to shape and shape and shape, The mighty earth-eidolon.
</p>
<p>
All space, all time, (The stars, the terrible perturbations of the suns, Swelling, collapsing, ending, serving their longer, shorter use,) Fill'd with eidolons only.
</p>
<p>
The noiseless myriads, The infinite oceans where the rivers empty, The separate countless free identities, like eyesight, The true realities, eidolons.
</p>
<p>
Not this the world, Nor these the universes, they the universes, Purport and end, ever the permanent life of life, Eidolons, eidolons.
</p>
<p>
Beyond thy lectures learn'd professor, Beyond thy telescope or spectroscope observer keen, beyond all mathematics, Beyond the doctor's surgery, anatomy, beyond the chemist with his chemistry, The entities of entities, eidolons.
</p>
<p>
Unfix'd yet fix'd, Ever shall be, ever have been and are, Sweeping the present to the infinite future, Eidolons, eidolons, eidolons.
</p>
<p>
The prophet and the bard, Shall yet maintain themselves, in higher stages yet, Shall mediate to the Modern, to Democracy, interpret yet to them, God and eidolons.
</p>
<p>
And thee my soul, Joys, ceaseless exercises, exaltations, Thy yearning amply fed at last, prepared to meet, Thy mates, eidolons.
</p>
<p>
Thy body permanent, The body lurking there within thy body, The only purport of the form thou art, the real I myself, An image, an eidolon.
</p>
<p>
Thy very songs not in thy songs, No special strains to sing, none for itself, But from the whole resulting, rising at last and floating, A round full-orb'd eidolon.
</p>
<p>
For Him I Sing
</p>
<p>
For him I sing, I raise the present on the past, (As some perennial tree out of its roots, the present on the past,) With time and space I him dilate and fuse the immortal laws, To make himself by them the law unto himself.
</p>
<p>
When I Read the Book
</p>
<p>
When I read the book, the biography famous, And is this then (said I) what the author calls a man's life? And so will some one when I am dead and gone write my life? (As if any man really knew aught of my life, Why even I myself I often think know little or nothing of my real life, Only a few hints, a few diffused faint clews and indirections I seek for my own use to trace out here.)
</p>
<p>
Beginning My Studies
</p>
<p>
Beginning my studies the first step pleas'd me so much, The mere fact consciousness, these forms, the power of motion, The least insect or animal, the senses, eyesight, love, The first step I say awed me and pleas'd me so much, I have hardly gone and hardly wish'd to go any farther, But stop and loiter all the time to sing it in ecstatic songs.
</p>
<p>
Beginners
</p>
<p>
How they are provided for upon the earth, (appearing at intervals,) How dear and dreadful they are to the earth, How they inure to themselves as much as to any--what a paradox appears their age, How people respond to them, yet know them not, How there is something relentless in their fate all times, How all times mischoose the objects of their adulation and reward, And how the same inexorable price must still be paid for the same great purchase.
</p>
<p>
To the States
</p>
<p>
To the States or any one of them, or any city of the States, Resist much, obey little, Once unquestioning obedience, once fully enslaved, Once fully enslaved, no nation, state, city of this earth, ever afterward resumes its liberty.
</p>
<p>
On Journeys Through the States
</p>
<p>
On journeys through the States we start, (Ay through the world, urged by these songs, Sailing henceforth to every land, to every sea,) We willing learners of all, teachers of all, and lovers of all.
</p>
<p>
We have watch'd the seasons dispensing themselves and passing on, And have said, Why should not a man or woman do as much as the seasons, and effuse as much?
</p>
<p>
We dwell a while in every city and town, We pass through Kanada, the North-east, the vast valley of the Mississippi, and the Southern States, We confer on equal terms with each of the States, We make trial of ourselves and invite men and women to hear, We say to ourselves, Remember, fear not, be candid, promulge the body and the soul, Dwell a while and pass on, be copious, temperate, chaste, magnetic, And what you effuse may then return as the seasons return, And may be just as much as the seasons.
</p>
<p>
To a Certain Cantatrice
</p>
<p>
Here, take this gift, I was reserving it for some hero, speaker, or general, One who should serve the good old cause, the great idea, the progress and freedom of the race, Some brave confronter of despots, some daring rebel; But I see that what I was reserving belongs to you just as much as to any.
</p>
<p>
Me Imperturbe
</p>
<p>
Me imperturbe, standing at ease in Nature, Master of all or mistress of all, aplomb in the midst of irrational things, Imbued as they, passive, receptive, silent as they, Finding my occupation, poverty, notoriety, foibles, crimes, less important than I thought, Me toward the Mexican sea, or in the Mannahatta or the Tennessee, or far north or inland, A river man, or a man of the woods or of any farm-life of these States or of the coast, or the lakes or Kanada, Me wherever my life is lived, O to be self-balanced for contingencies, To confront night, storms, hunger, ridicule, accidents, rebuffs, as the trees and animals do.
</p>
<p>
Savantism
</p>
<p>
Thither as I look I see each result and glory retracing itself and nestling close, always obligated, Thither hours, months, years--thither trades, compacts, establishments, even the most minute, Thither every-day life, speech, utensils, politics, persons, estates; Thither we also, I with my leaves and songs, trustful, admirant, As a father to his father going takes his children along with him.
</p>
</div>
You can simply add margin to last child like this:
#foo :last-child {
margin-right: 50px;
}
And here is the working fiddle: https://jsfiddle.net/d1ae6uet/2/
You would want to put some padding on the text itself, by applying it to the p tag.
#foo {
column-width: 500px;
height: 500px;
column-gap: 50px;
padding: 50px;
}
#foo > p {
padding-right: 50px;
}
<div id="foo">
<p>
</p>
<p>
Produced by G. Fuhrman
</p>
<p>
LEAVES OF GRASS
</p>
<p>
By Walt Whitman
</p>
<p>
Come, said my soul, Such verses for my Body let us write, (for we are one,) That should I after return, Or, long, long hence, in other spheres, There to some group of mates the chants resuming, (Tallying Earth's soil, trees, winds, tumultuous waves,) Ever with pleas'd smile I may keep on, Ever and ever yet the verses owning--as, first, I here and now Signing for Soul and Body, set to them my name,
</p>
<p>
Walt Whitman
</p>
<p>
BOOK I. INSCRIPTIONS
</p>
<h2>
<a name='chapter_90'></a>
BOOK I. INSCRIPTIONS
</h2>
<p>
One's-self I sing, a simple separate person, Yet utter the word Democratic, the word En-Masse.
</p>
<p>
Of physiology from top to toe I sing, Not physiognomy alone nor brain alone is worthy for the Muse, I say the Form complete is worthier far, The Female equally with the Male I sing.
</p>
<p>
Of Life immense in passion, pulse, and power, Cheerful, for freest action form'd under the laws divine, The Modern Man I sing.
</p>
<p>
As I Ponder'd in Silence
</p>
<p>
As I ponder'd in silence, Returning upon my poems, considering, lingering long, A Phantom arose before me with distrustful aspect, Terrible in beauty, age, and power, The genius of poets of old lands, As to me directing like flame its eyes, With finger pointing to many immortal songs, And menacing voice, What singest thou? it said, Know'st thou not there is but one theme for ever-enduring bards? And that is the theme of War, the fortune of battles, The making of perfect soldiers.
</p>
<p>
Be it so, then I answer'd, I too haughty Shade also sing war, and a longer and greater one than any, Waged in my book with varying fortune, with flight, advance and retreat, victory deferr'd and wavering, (Yet methinks certain, or as good as certain, at the last,) the field the world, For life and death, for the Body and for the eternal Soul, Lo, I too am come, chanting the chant of battles, I above all promote brave soldiers.
</p>
<p>
In Cabin'd Ships at Sea
</p>
<p>
In cabin'd ships at sea, The boundless blue on every side expanding, With whistling winds and music of the waves, the large imperious waves, Or some lone bark buoy'd on the dense marine, Where joyous full of faith, spreading white sails, She cleaves the ether mid the sparkle and the foam of day, or under many a star at night, By sailors young and old haply will I, a reminiscence of the land, be read, In full rapport at last.
</p>
<p>
Here are our thoughts, voyagers' thoughts, Here not the land, firm land, alone appears, may then by them be said, The sky o'erarches here, we feel the undulating deck beneath our feet, We feel the long pulsation, ebb and flow of endless motion, The tones of unseen mystery, the vague and vast suggestions of the briny world, the liquid-flowing syllables, The perfume, the faint creaking of the cordage, the melancholy rhythm, The boundless vista and the horizon far and dim are all here, And this is ocean's poem.
</p>
<p>
Then falter not O book, fulfil your destiny, You not a reminiscence of the land alone, You too as a lone bark cleaving the ether, purpos'd I know not whither, yet ever full of faith, Consort to every ship that sails, sail you! Bear forth to them folded my love, (dear mariners, for you I fold it here in every leaf;) Speed on my book! spread your white sails my little bark athwart the imperious waves, Chant on, sail on, bear o'er the boundless blue from me to every sea, This song for mariners and all their ships.
</p>
<p>
To Foreign Lands
</p>
<p>
I heard that you ask'd for something to prove this puzzle the New World, And to define America, her athletic Democracy, Therefore I send you my poems that you behold in them what you wanted.
</p>
<p>
To a Historian
</p>
<p>
You who celebrate bygones, Who have explored the outward, the surfaces of the races, the life that has exhibited itself, Who have treated of man as the creature of politics, aggregates, rulers and priests, I, habitan of the Alleghanies, treating of him as he is in himself in his own rights, Pressing the pulse of the life that has seldom exhibited itself, (the great pride of man in himself,) Chanter of Personality, outlining what is yet to be, I project the history of the future.
</p>
<p>
To Thee Old Cause
</p>
<p>
To thee old cause! Thou peerless, passionate, good cause, Thou stern, remorseless, sweet idea, Deathless throughout the ages, races, lands, After a strange sad war, great war for thee, (I think all war through time was really fought, and ever will be really fought, for thee,) These chants for thee, the eternal march of thee.
</p>
<p>
(A war O soldiers not for itself alone, Far, far more stood silently waiting behind, now to advance in this book.)
</p>
<p>
Thou orb of many orbs! Thou seething principle! thou well-kept, latent germ! thou centre! Around the idea of thee the war revolving, With all its angry and vehement play of causes, (With vast results to come for thrice a thousand years,) These recitatives for thee,--my book and the war are one, Merged in its spirit I and mine, as the contest hinged on thee, As a wheel on its axis turns, this book unwitting to itself, Around the idea of thee.
</p>
<p>
Eidolons
</p>
<p>
I met a seer, Passing the hues and objects of the world, The fields of art and learning, pleasure, sense, To glean eidolons.
</p>
<p>
Put in thy chants said he, No more the puzzling hour nor day, nor segments, parts, put in, Put first before the rest as light for all and entrance-song of all, That of eidolons.
</p>
<p>
Ever the dim beginning, Ever the growth, the rounding of the circle, Ever the summit and the merge at last, (to surely start again,) Eidolons! eidolons!
</p>
<p>
Ever the mutable, Ever materials, changing, crumbling, re-cohering, Ever the ateliers, the factories divine, Issuing eidolons.
</p>
<p>
Lo, I or you, Or woman, man, or state, known or unknown, We seeming solid wealth, strength, beauty build, But really build eidolons.
</p>
<p>
The ostent evanescent, The substance of an artist's mood or savan's studies long, Or warrior's, martyr's, hero's toils, To fashion his eidolon.
</p>
<p>
Of every human life, (The units gather'd, posted, not a thought, emotion, deed, left out,) The whole or large or small summ'd, added up, In its eidolon.
</p>
<p>
The old, old urge, Based on the ancient pinnacles, lo, newer, higher pinnacles, From science and the modern still impell'd, The old, old urge, eidolons.
</p>
<p>
The present now and here, America's busy, teeming, intricate whirl, Of aggregate and segregate for only thence releasing, To-day's eidolons.
</p>
<p>
These with the past, Of vanish'd lands, of all the reigns of kings across the sea, Old conquerors, old campaigns, old sailors' voyages, Joining eidolons.
</p>
<p>
Densities, growth, facades, Strata of mountains, soils, rocks, giant trees, Far-born, far-dying, living long, to leave, Eidolons everlasting.
</p>
<p>
Exalte, rapt, ecstatic, The visible but their womb of birth, Of orbic tendencies to shape and shape and shape, The mighty earth-eidolon.
</p>
<p>
All space, all time, (The stars, the terrible perturbations of the suns, Swelling, collapsing, ending, serving their longer, shorter use,) Fill'd with eidolons only.
</p>
<p>
The noiseless myriads, The infinite oceans where the rivers empty, The separate countless free identities, like eyesight, The true realities, eidolons.
</p>
<p>
Not this the world, Nor these the universes, they the universes, Purport and end, ever the permanent life of life, Eidolons, eidolons.
</p>
<p>
Beyond thy lectures learn'd professor, Beyond thy telescope or spectroscope observer keen, beyond all mathematics, Beyond the doctor's surgery, anatomy, beyond the chemist with his chemistry, The entities of entities, eidolons.
</p>
<p>
Unfix'd yet fix'd, Ever shall be, ever have been and are, Sweeping the present to the infinite future, Eidolons, eidolons, eidolons.
</p>
<p>
The prophet and the bard, Shall yet maintain themselves, in higher stages yet, Shall mediate to the Modern, to Democracy, interpret yet to them, God and eidolons.
</p>
<p>
And thee my soul, Joys, ceaseless exercises, exaltations, Thy yearning amply fed at last, prepared to meet, Thy mates, eidolons.
</p>
<p>
Thy body permanent, The body lurking there within thy body, The only purport of the form thou art, the real I myself, An image, an eidolon.
</p>
<p>
Thy very songs not in thy songs, No special strains to sing, none for itself, But from the whole resulting, rising at last and floating, A round full-orb'd eidolon.
</p>
<p>
For Him I Sing
</p>
<p>
For him I sing, I raise the present on the past, (As some perennial tree out of its roots, the present on the past,) With time and space I him dilate and fuse the immortal laws, To make himself by them the law unto himself.
</p>
<p>
When I Read the Book
</p>
<p>
When I read the book, the biography famous, And is this then (said I) what the author calls a man's life? And so will some one when I am dead and gone write my life? (As if any man really knew aught of my life, Why even I myself I often think know little or nothing of my real life, Only a few hints, a few diffused faint clews and indirections I seek for my own use to trace out here.)
</p>
<p>
Beginning My Studies
</p>
<p>
Beginning my studies the first step pleas'd me so much, The mere fact consciousness, these forms, the power of motion, The least insect or animal, the senses, eyesight, love, The first step I say awed me and pleas'd me so much, I have hardly gone and hardly wish'd to go any farther, But stop and loiter all the time to sing it in ecstatic songs.
</p>
<p>
Beginners
</p>
<p>
How they are provided for upon the earth, (appearing at intervals,) How dear and dreadful they are to the earth, How they inure to themselves as much as to any--what a paradox appears their age, How people respond to them, yet know them not, How there is something relentless in their fate all times, How all times mischoose the objects of their adulation and reward, And how the same inexorable price must still be paid for the same great purchase.
</p>
<p>
To the States
</p>
<p>
To the States or any one of them, or any city of the States, Resist much, obey little, Once unquestioning obedience, once fully enslaved, Once fully enslaved, no nation, state, city of this earth, ever afterward resumes its liberty.
</p>
<p>
On Journeys Through the States
</p>
<p>
On journeys through the States we start, (Ay through the world, urged by these songs, Sailing henceforth to every land, to every sea,) We willing learners of all, teachers of all, and lovers of all.
</p>
<p>
We have watch'd the seasons dispensing themselves and passing on, And have said, Why should not a man or woman do as much as the seasons, and effuse as much?
</p>
<p>
We dwell a while in every city and town, We pass through Kanada, the North-east, the vast valley of the Mississippi, and the Southern States, We confer on equal terms with each of the States, We make trial of ourselves and invite men and women to hear, We say to ourselves, Remember, fear not, be candid, promulge the body and the soul, Dwell a while and pass on, be copious, temperate, chaste, magnetic, And what you effuse may then return as the seasons return, And may be just as much as the seasons.
</p>
<p>
To a Certain Cantatrice
</p>
<p>
Here, take this gift, I was reserving it for some hero, speaker, or general, One who should serve the good old cause, the great idea, the progress and freedom of the race, Some brave confronter of despots, some daring rebel; But I see that what I was reserving belongs to you just as much as to any.
</p>
<p>
Me Imperturbe
</p>
<p>
Me imperturbe, standing at ease in Nature, Master of all or mistress of all, aplomb in the midst of irrational things, Imbued as they, passive, receptive, silent as they, Finding my occupation, poverty, notoriety, foibles, crimes, less important than I thought, Me toward the Mexican sea, or in the Mannahatta or the Tennessee, or far north or inland, A river man, or a man of the woods or of any farm-life of these States or of the coast, or the lakes or Kanada, Me wherever my life is lived, O to be self-balanced for contingencies, To confront night, storms, hunger, ridicule, accidents, rebuffs, as the trees and animals do.
</p>
<p>
Savantism
</p>
<p>
Thither as I look I see each result and glory retracing itself and nestling close, always obligated, Thither hours, months, years--thither trades, compacts, establishments, even the most minute, Thither every-day life, speech, utensils, politics, persons, estates; Thither we also, I with my leaves and songs, trustful, admirant, As a father to his father going takes his children along with him.
</p>
</div>

Img not contained in Div

I'm essentially trying to create a div which includes a title, an image, description and some social media buttons. I want multiple instances of the same div on the website. Creating sort of like a meet the team page. However, I'm not getting everything to position properly. Using Mozilla Firefox editor, I realize the image isn't contained into the div. What could be the cause of this? I want them to line up one after the other with space in-between.
Current view of webpage:
Div not contained in webpage:
HTML snippet:
<div>
<h2> DJ Name 1 </h2>
<img class="djimage" src="dj1.png" alt="Smiley face">
<p class="about">
Prevailed sincerity behaviour to so do principle mr. As departure at no propriety zealously my. On dear rent if girl view. First on smart there he sense. Earnestly enjoyment her you resources. Brother chamber ten old against. Mr be cottage so related minuter is. Delicate say and blessing ladyship exertion few margaret. Delight herself welcome against smiling its for. Suspected discovery by he affection household of principle perfectly he. <p>
</div>
<div>
<img class="djimage" src="dj1.png" alt="Smiley face">
<p class="about">
Prevailed sincerity behaviour to so do principle mr. As departure at no propriety zealously my. On dear rent if girl view. First on smart there he sense. Earnestly enjoyment her you resources. Brother chamber ten old against. Mr be cottage so related minuter is. Delicate say and blessing ladyship exertion few margaret. Delight herself welcome against smiling its for. Suspected discovery by he affection household of principle perfectly he. <p>
</div>
I've taken out the social media buttons section because I don't think that is relevant at this point.
CSS snippet:
.djimage{
height:400px;
position: absolute;
margin-left:20%;
}
.about {
margin-left:50%;
text-align:left;
float: right;
width: 284px;
z-index: 1;
position: absolute;
font-size :14px;
font-family: Arial;
}
h2 {
margin-left:50%;
position: absolute;
text-align:left;
float:right;
}
After reading your code, I found that you have not closed your paragraphs correctly.
After the first paragraph, you have ended it with <p> instead of </p>, and the same for the second paragraph. This may mess up the alignment because you are initializing a paragraph inside a paragraph, twice, and not even closing the tags. Try fixing them and the images may align properly.
You can try class row:
<div class="row">
<h2> DJ Name 1 </h2>
<img class="djimage" src="dj1.png" alt="Smiley face">
<p class="about">
Prevailed sincerity behaviour to so do principle mr. As departure at no propriety zealously my. On dear rent if girl view. First on smart there he sense. Earnestly enjoyment her you resources. Brother chamber ten old against. Mr be cottage so related minuter is. Delicate say and blessing ladyship exertion few margaret. Delight herself welcome against smiling its for. Suspected discovery by he affection household of principle perfectly he.
</p>
</div>
Or add a div tag with class clearfix as this:
<div>
<img class="djimage" src="dj1.png" alt="Smiley face">
<p class="about">
Prevailed sincerity behaviour to so do principle mr. As departure at no propriety zealously my. On dear rent if girl view. First on smart there he sense. Earnestly enjoyment her you resources. Brother chamber ten old against. Mr be cottage so related minuter is. Delicate say and blessing ladyship exertion few margaret. Delight herself welcome against smiling its for. Suspected discovery by he affection household of principle perfectly he.
</p>
<div class="clearfix"></div>
</div>
CSS
.row:after {
content: "";
clear: both;
display: block;
}
.clearfix {
clear: both;
height: 0;
line-height: 1px;
font-size: 1px;
}
And you need to replace <p> by </p> at close tag position

how to put text around centered image?

I am trying to accomplish something like this:
The can't seem to emulate the one above where the centered image is being surrounded by texts. I've tried using floats but something is just lacking and I have no idea what.
And this is what I currently have:
here is my code:
https://jsfiddle.net/eqs6e1db/
section{
text-align: center;
}
section p{
-webkit-column-count: 3;
-moz-column-count: 3;
-ms-column-count: 3;
-o-column-count: 3;
column-count: 3;
text-align: justify;
}
section article:first-child{
float: left;
}
section article:last-child{
float: right;
}
Well, you can not achieve really your layout. But you can hack it a little bit.
For each column, you can set a spacer, a filler, and another spacer.
The first spacer reserves space from the top, just to push the filler to the required position. The filler really reserves the space. And the reamining spacer consumes the remaining space so that we go the other column.
You need to have a height set on the container
.base {
width: 100%;
height: 1000px;
-webkit-column-count: 3;
-moz-column-count: 3;
column-count: 3;
}
.pushtop {
background-color: rgba(200,0,0,0.2);
width: 10px;
height: 17%;
float: right;
clear: both;
}
.pushbottom {
background-color: rgba(200,0,0,0.2);
width: 10px;
height: calc(83% - 200px);
float: right;
clear: both;
}
.insert {
background-color: lightblue;
height: 200px;
clear: both;
margin: 0px 10px;
}
.insertleft {
width: 100px;
float: right;
}
.insertcenter {
width: 100%;
float: right;
}
.insertright {
width: 100px;
float: left;
}
.container {
width: 735px;
position: relative;
}
.image {
position: absolute;
border: solid blue 1px;
width: 485px;
height: 200px;
left: 123px;
top: 170px;
}
<div class="container">
<div class="image"></div>
<div class="base">
<div class="pushtop"></div>
<div class="insert insertleft"></div>
<div class="pushbottom"></div>
<div class="pushtop"></div>
<div class="insert insertcenter"></div>
<div class="pushbottom"></div>
<div class="pushtop"></div>
<div class="insert insertright"></div>
<div class="pushbottom"></div>
<p>Another 4-storey structure will soon be under construction to add new classrooms and laboratories for the High School and Grade School.</p>
<p> Part of the reason for this attention to the North Campus is to help FU’s marketing strategy for the high school in response to the implementation of the K to 12 Program. First, we want to attract more enrollees. Second, we invest in the facilities in our aim to increase not just the quality of our education but to boost our enrollment capacity from 700 students to 1500 students. And of Course, thanks to our new solar panel installation, we will also be providing all the new classrooms with air conditioning for those sweltering months.</p>
<p>Corporate Social Responsibility or CSR, as viewed by the University, should also have a significant space in the academe's achievements and obligations.</p>
<p>Estudio Damgo, for instance, is now on its third iteration of touching people's lives through sustainable and life-changing architecture. Its buildings and designs, since its first project in 2013, serve as prototype structures that cater to the various needs of society. The University sees Estudio Damgo as a catalyst for creating a transformed, more developed, and more meaningful way of living not just in Dumaguete but through out the Philippines. Read more about the current project here. (note to Entheos; link the word “here” to full Estudio Damgo article)</p>
<p>In terms of agriculture, FU's Aquaponics sets the example in the use of completely natural and organic farming techniques, which enhance not only the environment's safety but boost farmers' production capabilities and livelihood as well. Aquaponics provides agriculturists the answer to sustainable food production and a sustainable ecosystem for both fish and plants. For more specifics on our organic farm click here. (Note to Entheos: Link the word “here” to full organic farming article)</p>
<p>A forest and wildlife protection program called “Ayungon Forest Reserve” has also been pushed by the College of Arts and Sciences in partnership with local government units and the Department of the Environment and Natural Resources (DENR). The program calls for protecting the natural resources of the Reserve from causes of declining population, degradation of wildlife habitat, deterioration of soil and river quality, and the cave’s carrying capacity.</p>
<p>The College of Business Administration (CBA), on the other hand, is seriously pursuing a strong “Entrepreneurship Program” that caters to all levels of participants from students to MSMEs (Micro, Small, Medium Enterprises). In fact, the CBA in partnership with DTI will soon launch an “Entrep Hub”—a one-stop business center for start-up entrepreneurs—during the University Expo in which high school students will compete for the best business plan. The prize will be an Incubation Program for the winning plan to become a real business.</p>
<p>The University Expo, formerly the Digital Expo, of the College of Computer studies is a major University event that showcases innovative technology. The annual event, which includes robotic challenges, quiz bowls, film festivals, etc., is an avenue for students from different academic institutions to participate in and learn from the latest IT breakthroughs.</p>
<p>Barangay constituents also have the opportunity to learn computer skills such as basic PC operations, Internet use, word processing, spreadsheet and presentation through the university's Computer Literacy Program for adopted barangays.</p>
<p>Moreover, “The Queue” coffee shop, run by the College of Hospitality Management ‘s Culinary Arts students, draws customers from in and outside the campus because of its delicious food and beverages.</p>
</div>
</div>
Note that the filler and spacer elements should not be visible. I have given the a background and a width (in the case of the push elements) so that you can see how it works
CSS as it stands, cannot do this yet (reliably). However, there is in working, a CSS Shapes Module that can do this.
http://demosthenes.info/blog/898/Wrapping-Text-Around-A-Curved-Image-With-CSS-Shapes
Only supported in Chrome and Safari it seems:
http://caniuse.com/#feat=css-shapes
I have created my own method to make your style image in centre of page so i made this following method
note: check this in you page here in demo it doesn't works
div{
margin: 15px
}
p{
float:left;
margin: 10px;
}
.left{
float:left;
width:30%;
}
.centre{
display: inline-block;
width:30%;
}
.right{
float:right;
width:30%;
}
.right, .centre, .left p{
text-align:justify
}
<div class="left">
<p>Another 4-storey structure will soon be under construction to add new classrooms and laboratories for the High School and Grade School.</p>
<p>In terms of agriculture, FU's Aquaponics sets the example in the use of completely natural and organic farming techniques, which enhance not only the environment's safety but boost farmers' production capabilities and livelihood as well. Aquaponics provides agriculturists the answer to sustainable food production and a sustainable ecosystem for both fish and plants. For more specifics on our organic farm click here. (Note to Entheos: Link the word “here” to full organic farming article)</p>
<p>Have you also heard of Greyhound Events and Tours? Well, it is Foundation University’s student-run functional travel agency that caters to the travel needs of both the FU community and outside clients.</p>
<p>Integrating CSRs in the various programs is our chance to give back to the community as well as gain the respect of the members of the society, young and old. It also helps garner the public's appreciation for the importance of community involvement by producing tangible projects everybody can benefit from.</p>
<p>Expanding the University’s Information Technology (IT) to meet the demands of a digital age is another factor in FU’s “micro” to “macro” plan. Aside from the existing iPad program, the University is determined to create digital classrooms that can be accessed by local towns like Bacong, Dauin and Zamboangita. There is also a movement to encourage students, even at the high school level, to learn useful skills such as computer programming so they can be competitive in an IT driven world.</p>
<p>On the infrastructure side, FU is also updating the “bare bones” of FUs communication network to fiber optic cables and high-end routers and equipment. You can read a comprehensive explanation of these updates in a separate article in this issue of CQ here.
(Note to Entios: link the word “here” to full IT article)</p></div>
<div class="centre">
<p> Part of the reason for this attention to the North Campus is to help FU’s marketing strategy for the high school in response to the implementation of the K to 12 Program. First, we want to attract more enrollees. Second, we invest in the facilities in our aim to increase not just the quality of our education but to boost our enrollment capacity from 700 students to 1500 students. And of Course, thanks to our new solar panel installation, we will also be providing all the new classrooms with air conditioning for those sweltering months.</p>
<p>Estudio Damgo, for instance, is now on its third iteration of touching people's lives through sustainable and life-changing architecture. Its buildings and designs, since its first project in 2013, serve as prototype structures that cater to the various needs of society. The University sees Estudio Damgo as a catalyst for creating a transformed, more developed, and more meaningful way of living not just in Dumaguete but through out the Philippines. Read more about the current project here. (note to Entheos; link the word “here” to full Estudio Damgo article)</p>
<img src="http://animalia-life.com/data_images/cat/cat4.jpg" style="height:300px;width:100%;" alt="">
<p>The College of Business Administration (CBA), on the other hand, is seriously pursuing a strong “Entrepreneurship Program” that caters to all levels of participants from students to MSMEs (Micro, Small, Medium Enterprises). In fact, the CBA in partnership with DTI will soon launch an “Entrep Hub”—a one-stop business center for start-up entrepreneurs—during the University Expo in which high school students will compete for the best business plan. The prize will be an Incubation Program for the winning plan to become a real business.</p>
<p>The University Expo, formerly the Digital Expo, of the College of Computer studies is a major University event that showcases innovative technology. The annual event, which includes robotic challenges, quiz bowls, film festivals, etc., is an avenue for students from different academic institutions to participate in and learn from the latest IT breakthroughs.</p>
<p>Aside from all the projects mentioned above, our overview of the 2015 Master Plan wouldn’t be complete if we didn’t tell you about one more core component.</p>
</div>
<div class="right">
<p>Corporate Social Responsibility or CSR, as viewed by the University, should also have a significant space in the academe's achievements and obligations.</p>
<p>A forest and wildlife protection program called “Ayungon Forest Reserve” has also been pushed by the College of Arts and Sciences in partnership with local government units and the Department of the Environment and Natural Resources (DENR). The program calls for protecting the natural resources of the Reserve from causes of declining population, degradation of wildlife habitat, deterioration of soil and river quality, and the cave’s carrying capacity.</p>
<p>Barangay constituents also have the opportunity to learn computer skills such as basic PC operations, Internet use, word processing, spreadsheet and presentation through the university's Computer Literacy Program for adopted barangays.</p>
<p>Moreover, “The Queue” coffee shop, run by the College of Hospitality Management ‘s Culinary Arts students, draws customers from in and outside the campus because of its delicious food and beverages.</p>
<p>It needs to be emphasized that at the core of the FU Master Plan is the campaign for everyone’s right to quality education. This advocacy, started by Foundation University’s founder Dr. Vicente G. Sinco, has been passed down to each new FU president. It is why FU is proud to be known as a school that caters to students with financial challenges to hurdle as they work towards their educational goals.</p>
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if this work happy
https://jsfiddle.net/x0ugLbo4/